A manual for writers of research papers, theses, and dissertations, 7th edition - Kate L. Turabian 2007

Texts in the visual and performing arts
Notes-bibliography style: citing specific types of sources
Part II. Source Citation

ART EXHIBITION CATALOGS. Cite an art exhibition catalog as you would a book. In the bibliography entry only, include the name and location(s) of the exhibition following the publication data.

N: 6. Judith A. Barter, ed., Mary Cassatt: Modern Woman (Chicago: Art Institute of Chicago, in association with Harry N. Abrams, 1998), 5.

B: Barter, Judith A., ed. Mary Cassatt: Modern Woman. Chicago: Art Institute of Chicago, in association with Harry N. Abrams, 1998. Published in conjunction with the exhibition “Mary Cassatt: Modern Woman” shown at the Boston Museum of Fine Arts, the National Gallery in Washington, DC, and the Art Institute of Chicago.

PLAYS. In some cases, you can cite well-known English-language plays in notes only. (See also 17.5.1.). Omit publication data, and cite passages by act and scene (or other division) instead of by page number.

N: 22. Eugene O'Neill, Long Day's Journey into Night, act 2, scene 1.

If your paper is in literary studies or another field concerned with close analysis of texts, or if you are citing a translation or an obscure work, cite every play as you would a book, and include it in your bibliography. Cite passages either by division or by page, according to your local guidelines.

N: 25. Enid Bagnold, The Chalk Garden (New York: Random House, 1953), 8—9.

B: Anouilh, Jean. Becket, or the Honor of God. Translated by Lucienne Hill. New York: Riverhead Books, 1996.

MUSICAL SCORES. Cite a published musical score as you would a book.

N: 1. Giuseppe Verdi, Il corsaro (melodramma tragico in three acts), libretto by Francesco Maria Piave, ed. Elizabeth Hudson, 2 vols., The Works of Giuseppe Verdi, ser. 1, Operas (Chicago: University of Chicago Press; Milan: G. Ricordi, 1998).

B: Mozart, Wolfgang Amadeus. Sonatas and Fantasies for the Piano. Prepared from the autographs and earliest printed sources by Nathan Broder. Rev. ed. Bryn Mawr, PA: Theodore Presser, 1960.

Cite an unpublished score as you would unpublished material in manuscript collections.

N: 2. Ralph Shapey, “Partita for Violin and Thirteen Players,” score, 1966, Special Collections, Joseph Regenstein Library, University of Chicago.