Practicing with reading and graphic organizers - Reading strategies

Painless Reading Comprehension - Darolyn “Lyn” Jones Ed.D. 2016

Practicing with reading and graphic organizers
Reading strategies

Your Assignment: Read the following passage on George Washington and explain in a paragraph what role the army, led by Washington, played in founding the United States of America.

Before reading: two-sided notes

Remember that you can organize Two-Sided Notes in a variety of ways. Here I am asking you, before you read the essay on George Washington, to write down what you know about George Washington and what you think about what you know. For example, on the left hand side, I might write down, “George Washington chopped down a cherry tree.” And, on the right, I might write down, “I wonder if that is true and if it is, why is that such a big deal to cut down a cherry tree?”

GEORGE WASHINGTON

What facts do I know about George Washington?

What do I think or feel (about what I know about the facts)











Social Studies Selection: “Founding Father George Washington” by Steve Heiniger

Introduction

Many of our founding fathers deserve credit for initiating independence; however, no other deserves as much credit as George Washington. While many were committing treason by affixing their names to the Declaration of Independence, our first Commander in Chief was placing himself in immediate danger by agreeing to lead the much maligned Continental Army. George Washington used his leadership abilities to help the Continental Army survive the season of Revolutionary War and, thus, give the Congressional Congress at Philadelphia the chance to construct the government that would run the newly formed United States of America for now over two hundred years.

The Continental Army versus the British Regulars

The first major engagement between the two main armies came in New York as the British Regulars under command of William Howe with the help of his brother Admiral Howe and a fleet of British warships attempted to reenter independent America and seek revenge for the tremendous loss at Breed’s (now referred to as Bunker Hill) Hill where a scantily equipped group of make-shift soldiers soundly drove British Forces into retreat until this rag tag army ran out of ammunition and were forced to pack their muskets with rocks and fight hand to hand. The British retribution at this later Battle of Long Island is what ultimately convinced George Washington that he would have to simply survive the battles rather than win them in order to be victorious in the war. The British methodic confidence should also be mentioned here as an aid to Washington’s great ability to slip away from the British stronghold. It was the consistent way of the British to wait until the next day to finish off the battle that allowed Washington to slip the Continental Army out of New York under the cover of night and fog to fight another day. Although Washington decided to avoid all major conflicts between the two major adversarial armies, he still had to maintain the morale of his soldiers who rarely received pay and always had to fight the elements as well as the enemy because of their lack of funds to pay for proper clothing, shoes, and equipment.

The Crossing

Famous writer Thomas Paine summed up the plight of the army as the “times that try men’s souls” as well as the type of soldier needed to participate in this kind of war in his American Crisis papers. Later Washington would have these words read to his remnant of an army that was left at Valley Forge, Pennsylvania.

The overly confident British had just settled into their winter quarters in New York leaving freshly conquered New York in the hands of their rented army from Prussia/Germany known as the Hessians. Washington picked this time for a surprise attack. His victory on Christmas Day carried his troops through the long winter. General Washington committed his troops to crossing the icy Delaware River in the middle of the night as depicted in the famous painting by Emanuel Leutze produced in 1851. This crossing was daring enough, but the troops still had to march to Trenton, New Jersey, in the snow, many of them without shoes, which left a bloody trail that could be easily followed if detected by Hessian scouts. Washington’s gamble paid off even after arriving a little later than expected the next morning. The Hessians, who had been partying all night, were caught completely off guard and surrendered, with the Americans not losing a single man in the ensuing battle. Not finished, Washington used another tricky countermove to defeat British regulars who had come to retaliate against the Americans a few days later at Princeton. Washington had correctly counted on the British General hesitating when he arrived. Sure enough, the British waiting to attack the next morning were flanked by American troops who had left fires burning to give the appearance of being camped out, as they moved completely around the British troops. Washington survived yet another year and would soon with the help of his other commanders wear down the British into submission.

Washington’s Army Perseveres

In 1777 Washington’s army would suffer another defeat, yet another escape as well at the Battle of Brandywine Creek that allowed him to continue the war effort. With a major northern victory and surrender of the British force under General John Burgoyne at Saratoga that convinced the French to side with the Americans the next year, the stage was set for another decision by Washington that would lead to the end of the war. General Washington saw a chance to defeat Cornwallis who commanded the main British force of the South. He abandoned his designs for New York and together with a French force headed south to trap Cornwallis, at Yorktown, Virginia. Arriving early Washington pulled out his old bag of tricks to convince General Cornwallis that the Americans had many more troops than they actually had. He ordered his men to surround Cornwallis with campfires knowing that this British general would never order his men into battle against a much larger force. This gave other American commanders a chance to bring in their troops and allowed a French fleet of ships time to trap Cornwallis, which eventually brought about an end to the war and led to independence for the United States of America.

Conclusion

George Washington probably wasn’t the best field tactician in battle, but did compile a sound strategy of doing just enough in the war to hold his army together and give them the confidence they needed to fight another day. If the Continental Army would have been captured, forced into surrender, or been eliminated due to desertion, America would still most likely have colonial status at best. It is largely due to George Washington’s heroics as well as his every day command of his troops that allowed the rest of our founding fathers to create the United States of America.

During reading: vocabulary steps

Create a vocabulary staircase for each of the following three words used in the reading selection on George Washington: maligned, scantily, and retribution.

✵ Remember that at the first step, you look the word up in the dictionary and write down the first or second definition.

✵ At the second step, you decide if the definition has a positive connotation, a neutral connotation, or a negative connotation. Recall our discussion of all the different connotations associated with the word heart? The word heart has a positive connotation because, as we noted earlier, we think of it as one of the most important organs in our body, relate it to having great spirit, or associate it with love. Connotation is the definition and meaning you associate with the word. Remember to assign a smiley face to a word that has a positive connotation, a straight face to a word that has a neutral connotation, and a frown to a word that has a negative connotation.

✵ At the third step, you provide a synonym for the word. A synonym is a word that has the same meaning or nearly the same meaning as the word you are defining. For example, a synonym for confidant, who is someone you can tell your secrets to, is friend.

✵ At the fourth step, you offer an antonym for the word. An antonym is a word that has the opposite meaning of the word you are defining. For example, an antonym for the word confidant would be enemy.

✵ At the fifth step, you use the word in a sentence.

✵ The final step, the last step before the top of the staircase, is a fun step. Draw a picture of the word!

After reading: SAM the summarizer

Using the assignment as a guide—Read the following passage on George Washington and explain in a paragraph what role the army, led by Washington, played in founding the United States of America—complete the SAM the Summarizer reading organizer by finding important words, phrases, or whole sentences that discuss the role of George Washington and his army on the founding of the United States.

1. Preparing to summarize. Write down your purpose for reading—in other words, your assignment. What are you reading for? What facts, people, events, dates, and so on are you looking for? List the key words from the assignment.

2. Analyze and decide what is important. There are six paragraphs. Put two paragraphs together and come up with important words, explanations, or opinions of the author that help to answer your assignment question.

3. Map it out! Using the author’s words, explanations, and opinions and your own words, summarize the answer to the assignment.

Before reading: KWL chart

A KWL chart asks you what you know about a topic, what you want to know, and what you have learned. KWL charts are an effective way to think about what you know and then as you read, jot down questions you might have about the reading. Finally, it allows you to summarize what you have learned after reading. We will use the KWL chart for the before, during, and after reading assignment for the reading selection titled “Commas” by Kim Rowe.

Before you read the lecture on commas, write down or type what you know about commas. Write down anything you can think of. Try to write down at least three ideas or more if you can. You might, for example, write, “A comma is used to show a pause.”

Before you start reading, write down or type what you want to know about commas. Now, please don’t say you want to know nothing! Of course, you want to know something. Grammar and mechanics are confusing, and unless you are a trained copy editor, you probably have some problems remembering when you use commas. Again, try to get down at least three questions. You can even think in terms of the rules. For example, I might ask, “Why do some people put a comma before the word ’and’ in a list and other people don’t? What is the actual rule?” If you are still having problems coming up with what you want to know, then look at some writing. Look at this page or any other page with writing and notice how the commas are used. If you don’t know why a comma is used, then write down the sentence and ask why that comma is used! After you have written down three questions, start reading. As you are reading and you come up with other questions, jot those down in the W column.

Finally, when you are finished reading, write down what you have learned. Again, don’t write down rules you already knew how to use. Record the new rules or tricks you learned from the reading. Or, explain how, before you started reading, you were confused about a certain rule or use but now, after reading about Mrs. Rowe’s piece on commas, you understand.

K—What do I know about commas?

W—What do I want to know or should I know about commas?

L—What have I learned about commas?






















English Selection: “Commas” by Kim Rowe

Commas Are Hard!

Commas are probably one of the most difficult types of punctuation to learn. Once it clicks, you will understand the use of commas the rest of your life. However, getting to the “understanding point” can be a long journey!

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Many adults misuse commas. In fact, just the other day I received an email from a friend that had several comma errors in it. Luckily, this email was only sent to me as a friendly note and not to a boss or an important business client who would expect a more professional, error-free email. More than likely, my friend was writing quickly, and she was not cautious about her grammar. Yet, her errors would have been a big deal if her email was sent to a potential employer; she probably would not receive the job. This is why understanding how to correctly use commas is so important.

Why Use Commas?

Some of my students think that I am crazy when it comes to teaching them about commas. Some of them even call me the “Comma Queen,” at least to my face! Maybe it is because I try to drill correct examples into their brains so using commas properly becomes second nature to them. I would like my students to understand how to use commas in a split second—kind of like how quickly Scooby Doo eats a Scooby snack.

One important item to remember is that the sole purpose of using commas is to make sentences easier to understand. A comma tells the reader that he/she should pause when reading, or a comma shows that items should be separated to make the understanding clear.

Let’s look at the following example sentence to start:

Example: Mary Ann and Sue went to the store and bought chocolate ice cream vanilla fudge cracker jacks and bread.

Yikes! When reading this sentence without commas, I do not know if two or three people went to the store. Is it Mary Ann or Mary as well as Ann? I also do not know if they bought chocolate and ice cream, or if they bought chocolate ice cream. Did they buy vanilla and fudge or vanilla fudge? The simple use of a few commas would clear up this sentence’s meaning.

Example: Mary, Ann, and Sue went to the store and bought chocolate ice cream, vanilla fudge, cracker jacks, and bread.

As mentioned earlier, learning comma usage can be tricky. I try to make learning about commas easy for students. First, I start by helping students realize that practically everyone has misused a comma here and there. Secondly, I try to emphasize that students need to learn the common comma mistakes and learn to not make them.

Another important item is that students should put comma rules immediately into practice. Personally, I think it is pointless for students to memorize the comma rules and be able to recite them word for word. What good is it to know that a comma should be used after two or more introductory prepositional phrases if someone does not even know how to pick out a preposition? It is much more beneficial for students to see an example of how to use the rule in writing. Take, for instance, the following comma rule:

Comma Rule: “Use a comma after two or more introductory prepositional phrases.”

Sentence Example: For many years Herb has been vacationing in Cancun.

In this first example sentence there is only one prepositional phrase. According to the rule, no comma is needed. Let’s look at a second example where a comma is needed according to the comma rule above.

Sentence Example: After three hours of shopping, Beatrice was ready to go home.

In this sentence we see that there are two prepositional phrases (after three hours and of shopping). This is where a comma is needed.

Common Mistakes

As mentioned earlier, one of the items I emphasize is to learn about the common mistakes people make with commas. Students who know these common errors, and keep them out of their writing, will really improve their writing quality and make fewer errors. Some common mistakes that people make are placing a comma in a sentence when they think there is a pause, not placing a comma in a comma series, and placing a comma incorrectly when connecting two main clauses. To help you learn more about these common errors, take a look at the following three examples.

Common Error: Placing a comma in a sentence when you think there is a pause.

Rule: There is no rule requiring a comma for a pause in a sentence. Let’s look at an example:

Sentence Example Error # 1: Jim needs a break, from mowing the lawn.

Sentence Example Correction: Jim needs a break from mowing the lawn.

Common Error: Not placing a comma in a comma series.

Rule: Use commas when a comma series occurs. Let’s look at an example:

Sentence Example Error # 2: Kurt plays basketball, football and soccer.

Sentence Example Correction: Kurt plays basketball, football, and soccer.

Common Error: Placing a comma incorrectly when connecting two main clauses.

Rule: Use a comma to connect two main clauses. Let’s look at an example:

Sentence Example Error # 3: This summer Lance is going to Ireland and he is going to visit castles.

Sentence Example Correction: This summer Lance is going to Ireland, and he is going to visit castles.

Comma Tips

Try to think of each comma rule separately. Look at a sentence and try to figure out what rule should be applied. For example, if you do not see introductory prepositional phrases, then you can rule out the two prepositional phrase rule. Basically, fit a rule to a sentence. If students think of commas with an open mind and have confidence, then they can truly understand comma usage. The next time you study commas in English class, relax and remember to break down the rules.

The next two reading selections include a scene titled, “Mama’s Boys, Care Bears, and Fat Girls” by New York playwright Tyler Dwiggins. This is one of my favorite scenes because it illustrates two young adults sharing their true attitudes about love and life. And the next one is a blog titled “Building a Rainbow” by young adult author Barbara Shoup.

Before reading: Word Write

Before you read the scene from the play, “Mama’s Boys, Care Bears, and Fat Girls,” I want you to do some writing. I want you to think about the words you will run into when you read and think about what they might mean.

With a Word Write, you choose ten to fifteen words that are from the first section or if the section is short, such as this one, from the entire piece. Choose an equal number of words you do know and words you don’t know. Choose nouns like names and places and verbs that show action. Write the words down as they appear in the reading. Write a paragraph using any form of the selected words and in any order you want. Of course, you can use other words. You would have to do so in order to write a whole paragraph! Just make sure you use all the words selected. And don’t worry if you use the words incorrectly.

Here is how a Word Write helps you to read. You see the words standing alone, and then you give them meaning by writing them down in sentences. Then, after you start reading the story, play, or piece of nonfiction, you will see the words again. It is in that second seeing that you will compare how you used the words to how the author used them. This will help you to pay closer attention to your reading and keep you alert during reading!

For this exercise, you will be given ten words from the play to use. Again, write your own paragraph using all the words before reading any of the play. Have fun with it! The purpose of a Word Write is to get your brain thinking about the important words used in the reading selection. If you don’t know what a word means, guess! Create your own meaning for it.

WORD WRITE WORDS FOR “MAMA’S BOYS, CARE BEARS, AND FAT GIRLS”

platonic

adoring

struts

shuffle

flamboyance

unconditional

grungy

breed

illusion

cynical

Your Assignment: Compare and contrast the characters Nate and Roxie in the play, “Mama’s Boys, Care Bears, and Fat Girls.” Compare and contrast the girl in prison to the author, Barbara Shoup, who is talking with the girl. How are they alike and how are they different?

During reading: Caricature of a Character

One reason why the play or the blog you are about to read might be difficult is that there are different “characters” or people being introduced at various points. Your assignment for both reading selections is to compare and contrast. The play has two fictional characters and the blog has two real people. Both of these reading selections are contemporary, and you should be able to relate to their teen discussions about love and happiness.

While you are reading the play, keep track of the two main fictional characters, Roxie and Nate, and of the two real people, the girl in prison and the author, Barbara. As you hear from each of them and about each of them, write down a description of each character or person. When you describe each one, you need to describe any physical characteristics as well as any mental features, meaning what the character or person is thinking or feeling. Because you may not get all the details you need, you may have to infer meaning or make an educated guess based upon the clues the author presents. For example, in the popular Harry Potter series, we know that Ron has red hair, is short, isn’t the best student, and is jealous of Harry. The author always talks about how short Ron is compared to his twin brothers, discusses his red-haired family, shares Ron’s feelings of never getting any attention compared to Harry, and reveals how Ron is always asking Hermione for homework help.

If you use your own words to describe the characters or the people in what you are reading, they should begin to make sense to you. You will better understand their motivations and actions or why they say and do what they say and do. After you are finished reading, reread your descriptions and explain how you know what you wrote down. Skim back through the reading and find proof if necessary. Write down words or passages from the story that back up what you think. Use character’s words to back up your words! If you need to add more to your descriptions list, do so after you are finished. The Caricature of a Character is a fun and effective tool to use when you must read a story where there are many characters or people and/or when you have an assignment where you need to analyze and write about characters.

For example, for the character of the girl in prison, you might want to draw her wearing “khaki pants, ugly green v-necked shirts, and plastic sandals” because that is what the author, Barbara Shoup, describes her wearing. You could also draw her looking sullen and defiant as she talks about not having anything happy to write about. You know this is an accurate caricature because the author says that she is “scowling” as she explains, “I don’t have any happy memories.”

CARICATURE OF A CHARACTER

Here are two figures that look like gingerbread men, which you can reproduce on a sheet of paper. You can even draw them any way you want. They can even be stick figures. If you are computer savvy, you can even create an avatar! As you encounter a new character or person in the scene, story, blog, or whatever you are reading, write down the character or person’s name above the figure. Then, draw the character’s physical features as you see him or her through the author’s words. Inside of each of the character’s heads, describe the character’s personality. Below each figure write down what clues you have that support your descriptions. Find words, phrases, or sentences in the reading that support your description.

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Clues:______________________

Clues: _____________________







A Scene from “Mama’s Boys, Care Bears, and Fat Girls” by Tyler Dwiggins

Enter NATE and ROXIE, who are platonic best friends. They walk on stage and sit on a park bench, watching pedestrians stroll past them. NATE is dressed in an unassuming T-shirt and jeans. ROXIE, as usual, struts like Mick Jagger and dresses with the flamboyance of a lost Spice Girl. A pair of grungy boys roll past on skateboards, ogling Roxie. Roxie notices and winks at them with a megawatt smile on her face.

NATE: Ew, Roxie. What are you doing?

ROXIE: I’m giving them the illusion that they have a shot with me. Call it community service.

(An elderly couple shuffles by, holding hands and looking truly in love.)

NATE: Now, see that’s what I want.

ROXIE: You want to have a pair of old people? That can’t be legal, Nate.

NATE: No, I mean... I want that completely adoring, unconditional love. The kind of love where you don’t care that your husband wears pants so high that they are probably chafing his nipples or that your wife has an afro that looks like she stole the fattest section of a snowman and plopped it on her head.

ROXIE: Yummy?

NATE: No, Rox, seriously. Look at them. Look at the way they shuffle along, holding hands, like they’ve got all the time in the world. You can tell that they’ve always loved each other, and they always will. Just that feeling like you can totally be yourself without having to change or keep secrets from one another, you know? Like where you just know they’ll never leave.

ROXIE: Oh, Nate… Don’t you know? Worrying that you’ll lose somebody and trying to keep them around is half the fun. The joy is all in chasing somebody around while trying to look like you’re not the one doing the chasing.

NATE: That’s not love, Roxie. That’s like something on the Discovery Channel.

ROXIE: Oh, love, Nate? Really? (She says the word “love” like it’s something sour that she has to spit out of her mouth.) Give me a break, Nate. “Love” is for mama’s boys, Care Bears, and fat girls to dream of. It’s not actually real, Nate. Love is for people who are too afraid to do what mammals are supposed to do, which is find somebody you like the looks of, breed, and move on. Love is not what I’m after.

NATE: That’s a smidge cynical, yes?

ROXIE: It’s a smidge genius, is what it is.

NATE: But I wuuuv youuu, Roxie. (Nate flings his arms around Roxie and squeezes her into a bear hug. She pretends to be annoyed.)

ROXIE: That is because you are the only good boy left, Nate.

NATE: Not true. But really… I do love you, mi amiga. You know that, right?

ROXIE: I know, doll. I know. Now stop hugging me. You’re ruining my image.

“Building a Rainbow” by young adult author Barbara Shoup on her blogspot at http://barbarashoup.blogspot.com/

Black, white, Hispanic, the twenty young women assigned to the Writers’ Center of Indiana’s third memoir-writing workshop at a prison for girls file into the visiting room for the first session looking wary. They’re all dressed exactly the same: khaki pants, ugly green v-necked shirts, plastic sandals. Their hair is poorly cut, their complexions pale from being locked up inside. No makeup is allowed. Some have crudely done tattoos; in some cases, their arms are criss-crossed with small white scars, evidence of cutting. Too many look dazed by the too-high dose of whatever drug some medical bureaucrat prescribed to control them.

The volunteers—writers, teachers, college students—call the names of the girls in their group and the girls go sit down, glancing back at the others still in line. There are six marbled composition books on each table, two each: the one with the “Building a Rainbow” image pasted on front for the writing we’ll do in class, the other for the writing they’ll do between sessions, on their own.

“These are for us?” at least one girl at each table asks.

They ask it every year and, every year, are astonished when we say yes.

I talk to them about the rainbow image, a scaled down version of the huge poster that hung in my office years ago, when I began teaching. “I grew up in a poor family,” I tell them. “My dad drank. My mother was sad. I had big dreams, but I thought whether or not they’d come true was all about being lucky or not being lucky.

“I was confused about happiness, too. I thought it was about how nice your house was, how much your parents didn’t have to worry about money, how much stuff you had. I thought it was a state of being. Once happy, you stayed happy, like being in a place.

“But, in fact, you have to make dreams come true,” I say. “Look at the rainbow. It’s under construction, covered with stick people painting, hammering, working cranes to put things in place.

“And, as for happiness, it’s no more than a collection of mostly small moments, strung like beads on a necklace, throughout our lives.

“You can learn how to take the hundreds, maybe thousands of small steps you’ll need to take to make your dreams come true; you can learn to recognize and cherish those small moments when you feel right with the world and to build on them until the weight of happy moments is greater than the ones that hurt you and make you sad.”

They listen.

They open their “Rainbow” notebooks and, as instructed, write “I remember, I remember,” dredging up all kinds of memories—happy and sad. I ask them to pick one happy memory and do the “I Remember” exercise again, dredging up details about that one thing. Willingly, they bend their heads to the task—all but one.

“I don’t have any happy memories,” she says, scowling.

I go and sit beside her. “None?” I ask.

“None.”

“When you were little?”

She shakes her head.

“Toys?” I ask.

“I had a yellow ball.”

I ask her to tell me about it.

“It was big. My brother busted it when I was twelve, and all the air went out of it.”

But she smiles (for the first time) when she says this. “I loved that ball,” she goes on. “I had it from when I was three and my brother was scared I was going to beat him up when I found out.”

“But you didn’t?”

“Nah,” she says. “It was funny he was so scared, though.”

I ask if she remembers when she got the ball, and she does. Her uncle bought it for her at Walmart. It was at the top of a tall bin full of balls of all colors and sizes. There were yellow balls closer to the bottom, and her mom said she should just get one of those. But she wanted that yellow ball. Her uncle tried to climb the bin, but it was too rickety. So he went to get an employee to help and, when the man got the ball and held it out to her, her uncle told her to say thank you.

“I ran up and hugged his legs,” she says. “I loved my ball so much. It looked like the sun. Yellow is my favorite color, ever since then.”

By now, she’s talking and writing. Smiling, even laughing at what she remembers. Her mom was wearing a blue dress, her uncle an orange shirt that made him look like a huge tangerine.

Near the end of the class, I ask if anyone would like to read what she’s written to the group, and she raises her hand.

So there is one remembered bead for her necklace of happiness: the day she got the yellow ball.

And one, I hope, for the memory of writing about it. There’s a bead for my necklace of happiness, too: watching her face change as writing took her back to that happier time; listening as she read her memory aloud; thinking maybe, maybe it will make a difference.

After reading: Shape Up Your Reading

The graphic organizer Shape Up Your Reading does just what it sounds like. It helps you size up or give shape to what it is you have read. Below, find a graphic organizer that my teacher education student, Shannon Morris, at Ball State University and I created for you. You can modify or manipulate the directions for each shape as you wish. You can use just one shape or all four. You can use them in any order. For example, you can start with the square, the circle, or the star! For example, for the star, you can find one important idea or five. This is a super way to summarize and rethink what you read so you can keep it in your head. Complete the Shape Up Your Reading with the blog in this chapter titled, “Building a Rainbow.”12

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Wow! Using those organizers are fun, isn’t it? Did you notice the words you had to write about in the Word Write pop up more while you read the play? Were you looking for them? What does “platonic” mean, anyway? The Caricature of a Character and Shape Up Your Reading can be a lot of work, but when you write about something using your own words, and then you look for the author’s words, your brain automatically pays closer attention. Your reading selections were not easy to read, but after you did all of that, it should have been much easier.

Your Assignment: For this reading selection on greatest common factors, you will be practicing SQ3R. Remember that SQ3R stands for Survey, Question, Read, Record, and Review.

Before, during, and after reading: SQ3R

The next reading selection is about math. Now, those may sound like contradictory terms, but they aren’t! Math isn’t just numbers. In order to understand the numbers in math problems, you first need to read about them. In fact, reading math can be harder because you must read words, symbols, and numbers!

In every math lesson, there is a one- to two-page written explanation about that lesson. In every story problem, there are words, and you need to translate the words into numbers and the numbers into a problem. So, knowing how to “read” math is very important.

Surveying is similar to skimming. Surveying requires you to get a sense of how the chapter or reading selection is set up prior to reading it. Read the title, any subheadings, the boldfaced words, the introduction, and the summary if there is one. Reading the summary first allows you to see where you are headed—the big ideas that can guide your reading.

To question, use the question words Who, What, Where, When, Why, and How. Turn the chapter title and subheadings into questions using the question words. Then when you read, you can try to find the answers to the questions you created.

Finally, read the selection. Read a section at a time. Take breaks in between if you need to.

Record your notes. While you are reading, answer the questions you created for the question section of SQ3R.

Finally, review your notes. Reread your notes and make sure you understand what you read and write.

SQ3R is not only an effective way to read a difficult passage but also a super way to study for a quiz. Watching the teacher solve problems on Greatest Common Factor and knowing how to solve them yourself is only half the equation. To really understand math concepts, you must understand the terms and the explanation of why and how such ideas like greatest common factor exist.

Survey—Read the title, any subheadings, the boldfaced words, the introduction, and the summary if there is one.

Question—Take the subtitles and words in boldfaced type and create questions using each of the question words.

Who?

What?

Why?

Where?

When?

How?

Read the selection written by Mrs. Forkner.

Record your notes—Write down answers to your questions above.

Review your notes—Reread your questions and answers and maybe even resolve the problems to make sure you understand.

“Greatest Common Factor” by Deb Forkner

Introduction: Definitions to Know

Look at each word: “greatest” means largest.

“Common” means something alike. If you and I have eye color in common, it means we both have brown eyes.

“Factor” means to multiply with another number to give the desired product. For example, the factors of 6 are 1, 2, 3, and 6. 1 × 6 = 6, 2 × 3 = 6. So, GCF is the largest factor 2 numbers have alike.

Strategies for Finding the GCF: The List Method

One method for finding GCF is the list method. If we want to find the GCF of 12 and 20, we would start by listing all the factors of 12 and listing all the factors of 20.

12: 1, 2, 3, 4, 6, 12

20: 1, 2, 4, 5, 10, 20

So, by examining the lists of factors you can see that 4 is the largest factor that is in both lists. So 4 is the largest factor that 12 and 20 have in common. 4 is the GCF of 12 and 20.

Strategies for Finding the GCF: Prime Factorization

Now, let’s use the same numbers, 12 and 20, but do the prime factorization method.

First, get the prime factorization of 12 and 20. Then we will compare their prime factors.

Image

12

2 ×

2 ×

3

20

2 ×

2 ×

5

GCF = 2 × 2 = 4

Look carefully at the prime factorizations. Each has 2 • 2 = 4. So like the list method, we get the same GCF of 4.

Let’s try 2 more numbers and use the prime factorization method only.

Try finding the GCF of 42 and 105.

The prime factorization of 42 is 2 • 3 • 7

The prime factorization of 105 is 3 • 5 • 7

42

2 ×

3 ×

7

105

5 ×

3 ×

7

GCF = 3 × 7 = 21

They have in common a factor of 3 and a factor of 7.

So the product of the factors they have in common is 21; 21 is the GCF of 42 and 105.

Let’s Practice: Finding the GCF

Find the GCF of 25 and 32.

The prime factorization of 25 is 5 • 5.

The prime factorization of 32 is 2 • 2 • 2 • 2 • 2.

What factor(s) do 25 and 32 have in common? Before you answer, go back and list all the factors of 25 and 32,

25: 1, 5, 25

32: 1, 2, 4, 8, 16, 32

25

5 ×

5





32


2 ×

2 ×

2 ×

2 ×

2

GCF = 1

You can see from the lists of factors that 25 and 32 have a GCF of 1. When that occurs, the two numbers are called relatively prime. Neither number is prime, but when the greatest common factor is one, they are considered relatively prime numbers. One is a factor of all numbers.

Summary

GCF stands for greatest common factor. Remember that the GCF is the product of the common primes. Something that is prime is a positive integer that has exactly two positive integer factors, 1 and itself. If we list the factors of 24, we have 1, 2, 3, 4, 6, 8, 12, and 24. That’s eight factors. If we list the factors of 11, we only have 1 and 11. That’s 2. So we say that 11 is a prime number, but 24 isn’t. There are two methods in finding the GCF which are The List Method and Prime Factorization.

REFLECT ON WHAT YOU HAVE LEARNED!

If we just sit down and don’t take the time to think about what we are going to read before we read it and keep our brain active while we are reading it, it’s hard to do anything after! Reading organizers may seem like a lot of work, but if you take the time to do them before and during reading, they make your homework easier once you have finished reading—and you actually understand what you read.

Which reading organizers work well for you? Which ones will you add to your toolbox?

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Set # 8

Remember, to master the multiple-choice questions, use the strategies learned in Chapter Two!

1.When you use the vocabulary staircase, you assign words a face with a smile, a face with a frown, or a straight face based upon the word’s connotation. What is the connotation of a word?

a. Part of speech

b. Dictionary definition

c. Definition you associate with the word

d. Denotation of a word

2.What is the point of using the Word Write and writing a paragraph and making up meanings for words you don’t know?

a. Seeing the words and using the words helps your brain warm up to the words.

b. Seeing the words helps you to look them up in the dictionary.

c. Seeing the words helps you to write the paragraph.

d. Seeing the words helps explain the paragraph.

3.When you complete a Caricature of a Character, you write down not only what he/she looks like but what he/she is thinking as well. What if the character doesn’t say what he/she is thinking or feeling? What do you do?

a. You leave it blank.

b. You guess.

c. You write down what you are feeling or thinking.

d. You infer what the character is thinking or feeling.